Some Benefits of Backstories


As an author you’re probably already familiar with backstories.  These may reside nowhere but inside your head, but in order to develop authentic characters and plots, they need to exist.  Even if a character has amnesia, such as Jane Doe in the popular TV program Blindspot, he or she needs to have a past.  Life experiences, even for fictitious characters, are what make people interesting, provide motivation and bring out their personality.  As an author, if you don’t know this about your character, it’s going to make it more difficult to tell his story.  Dialog and action may be stilted or artificial without knowing what makes him tick.

If you’re having difficulty getting into a character, talk to him or her to find out more about their background.  You might be surprised what you’ll discover.  Character interviews are common these days in blogs, which further demonstrate this principle.  Talking about a character with other writers or your beta readers can bring out all sorts of great ideas as well.  If you get stuck, try this out.  I can have as much fun brainstorming with other writers about their current WIP as I can with my own, whether it involves character motivation or plot development.  Backstories are also great practice for new authors not only to develop their cast but their writing style as well.

It’s worth noting, however, that you shouldn’t confuse your readers by giving unimportant characters a name.  If you do, they’ll wonder later what happened to so and so.  The general rule is that any character who doesn’t contribute to the plot doesn’t need to be there, anyway, except in the case of certain group situations, like extras in a movie.  If they’re important enough to deserve a name, then they should have a backstory, no matter how simple.

For main characters, these backstories tend to come out in the course of the story to a greater or lesser degree, but not always so much for minor characters.  However, if you find a detailed backstory developing for a minor character, chances are he/she/it has something interesting to say.  You’ve undoubtedly noticed how various sit-coms have had spinoffs over the years, typically when a minor character becomes interesting enough to have his or her own program.  One that comes to mind is Frasier, which evolved from Cheers.  Another example would be the ewok stories that evolved from Star Wars.

It used to be that backstories were useful to the writer, but often sat in a file that never saw the light of day.  Now that ebooks are so popular and relatively easy to produce, they can serve a useful purpose for keeping readers and fans engaged, either as your full-length novel develops, between books in a series or even to add additional depth to a story that’s already out there.  Who knows?  It could evolve into another full-length story as you dive into what makes a character tick.  This is often how series and trilogies are born, when there’s a lot more to tell.  Fans who become attached to a character love to hear more about them.  And these are not always limited to the main ones.  How many movies have you seen where one of the supporting actors grabs your attention?  You never know who another person will connect with or for what reason.

Since this background information is often already written up, or could be relatively easily if it’s parked in your brain, it’s worth it to do some editing and get it into ebook form.  Print form works, too, since these books are usually short and make great giveaways or ultra-inexpensive samples.  As expected, the cover is the most expensive element of a book, so they might not be as cheap as you’d expect, but usually your cost will be around $2.  For example, my Star Trails Compendium, which is 135 pages long, costs me $2.48 while The Sapphiran Agenda is only 29 pages but $2.15.

Backstories work well for giveaways and teasers, both before and after a book is released.  My Star Trails Tetralogy series has two, which are free on Smashwords and its outlets and 99c on Amazon.  The Star Trails Compendium comprises all the terms, definitions and cultural background information for the series while The Sapphiran Agenda is a true backstory for a minor character, Thyron, who’s a flora peda telepathis, i.e. telepathic walking plant.  Many readers noted he was their favorite, though at least one found him annoying, demonstrating how you never know how they’ll be accepted.  Thyron has at least one more story to tell which I hope to have out soon.

Put backstories to work for you to gain new fans, retain old ones, and provide short samples of your writing style.  Short reads are popular these days as well, even having their own category on Amazon, which further increases their appeal and potential for finding new readers.  Whether you’re in the middle of a lengthy novel, between books or perhaps stuck with a case of writer’s block, these gems can be fun and easy to write and provide a means to maintain contact with your existing fan base.  If you need ideas or examples, feel free (literally and figuratively) to check mine out at the links below.

StarTrailsCompendium copy

The Star Trails Compendium

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The Sapphiran Agenda

Top image copyright 123RF


5 thoughts on “Some Benefits of Backstories

  1. The Sapphiran Agenda is one of my favorite books. I dearly love Thryon, though I can also understand why some people would feel intimidate or maybe even threatened by such a smart plant. After all, we humans seem to think we’re superior.
    I totally agree with you on back story. Years ago, a wise person told me that I needed to know everything about everyone, but readers only needed about 10% of that information – and not in a huge lump up front. I thought I understood what they meant, but since beginning to read the first novel of a new author, I’m positive that I understand. I won’t name names, but will tell you that the individual has good basic writing skills and rumor has it that they even hired an editor to make their story perfect….
    I used the ‘sneak peek’ to verify this would be a story I was interested in. And I loved chapter one.
    Unfortunately, chapters two and three were from the point of view of new characters, who weren’t ones I enjoyed being in the heads of. I persevered and began reading chapter 4 – and found myself in yet another head, but one that I liked… I’m now in chapter 9 and realize that the novel actually began with chapter 4 and that chapters 1-3 were each backstory lumps, which should never have been included in the novel. In fact, not one of those 3 individuals has even shown up in chapters 4-9!
    If I can find the author’s address, I’ll send them a link to this blog.


    • LOL! Yes, letting go of some our writing is something authors need to learn. But much of that very stuff can sometimes be used in a backstory, though some of it usually needs to be edited out. There are so many different kinds of editors. There are line editors, copy editors and content editors which all have slightly different functions. Finding a single person who’s adept at all three isn’t easy. We can learn so much from others’ mistakes, which is great, because we tend to be blind to our own. I know I am, at least until seeing it somewhere else hits me upside the head and I realize I’m guilty of the same writing faux pas.

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      • I know that many times, I’ve included back story. When writing my first novels, a lot of back story was in the first few chapters, but they were cut on my initial editing phase, when I read for ‘plot points’…. Have several files of ‘cuts’, which – as you just pointed out – I can use for blogs, etc.
        Since pendulums tend to swing, in Me-YEOW!, which I’m currently working on, I initially ‘swang the other way’ and initially omitted the first plot point of having the hero in his/her ordinary world, just leaped into point two a.k.a. the call to adventure… Thankfully, I figured that out, so I’ve just entered “Act 2” a.k.a. Tests, allies, Enemies… Xander isn’t having a lot of fun.


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